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Review of “Rainy Day” oil on paper plein air study ~

The weather has been soggy these past few weeks, which puts plein air painting on the back burner for a little while longer. So I decided to set up the gear inside by a window and pretend I was plein air painting. This worked out well, as I didn’t have to struggle with the elements and had all creature comforts available. I know, you’re saying “That’s cheating!” Well, you are correct, but I have to keep moving forward! I freely admit, I’m a lightweight when it comes to the elements!

I am still in the process of re-working  my gear to include only the most necessary items, which means going through and honestly evaluating all the equipment. In the past, I’ve carried way too much stuff. Plus, I have had to pack brushes and paint into my plein air bag from the studio, which was always a hassle. Now I am almost complete with having two of everything: gear for plein air and gear for studio. Now I can grab my bag and go when inspiration strikes.

It was pouring rain yesterday when I worked on this piece and fog was a problem, as at times it rolled in so thick I couldn’t see my scene. Here’s what I was looking at:


Forest and the road

Continue reading Review of “Rainy Day” oil on paper plein air study ~

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Review of Oil Painting Supplies

Plein Air season has arrived here in the northwest, as the temps are slowly rising to “comfortable”. I am rethinking my entire strategy for plein air painting, getting rid of what doesn’t work and adding new things I haven’t tried. I seem to fight with my tools a lot and I want to eliminate the fight so I can concentrate on painting and capturing the essence of a scene.

So, I gathered up the gear and took it all out on the deck to just paint and seriously judge all my tools. Here’s my set up:

Plein Air set up

Continue reading Review of Oil Painting Supplies

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“Sunset on the Villa” #oil Painting

“Sunset on the Villa” is officially done! I’m so happy to be moving on to other subjects. This is the very reason I enjoy painting small; large paintings take too long. The piece is 16″x20″ and was painted in oils with a limited Palette. Here’s a peek at my palette:

Coral colors on the palette


I recently decided to check out what Pantone’s Color of the year for 2019 is and was surprised to find out it is Living Coral! And look what colors are on my palette – corals!

I often paint intuitively with respect to colors and this happened to me last year as well with the Pantone Color which was Violet. I painted a lot of purple flowers last year and didn’t know what the Color of the Year was until late fall. Maybe I’m just in tune with my surroundings? So now I’m hyper sensitive to oranges. I’m seeing this color everywhere especially in Hallmark movies made this year! Even orange trucks are making their debut!

Anyway, Orange isn’t on the top of my list for favorite colors so don’t ask me why I chose to use this color palette on “Sunset on the Villa”. But I’m pleased with the end result.

I imagine the owner has had a hard day at picking grapes and worked until sunset. One box of grapes was forgotten by the road. Now it’s time for dinner as a warm cozy fire begins to crackle. What’s for dinner? Perhaps spaghetti and meatballs with a nice glass of wine. My fave!


“Sunset at the Villa”

(The Tamarack Mountain Studio watermark is not on the painting. This is done for online purposes only).


Next up I’ll be doing some paintings of grapes and wine genres as a continuation of this Italian theme.

More later ~ Rhonda

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“Fishing on the St. Joe”

“Fishing on the St. Joe” is an 8″x10″ oil on panel that I painted last fall while on a camping trip with my husband. I started it on location by laying in all my values, then finished in studio. It was a cold and windy day in late September when I painted it and so didn’t get as far as I wanted to because I was freezing! I’m a light weight when it comes to extremes of temperature.

Anyway, I use my husband as a model but he tends to not stay in one place long enough for me to really capture him. I always have to use my reference photos to finish.

I sat in our UTV to paint this scene, to try and stay out of the cold wind and when I looked up from my work, he was gone!


Plein Air Painting


Now this is a huge pet peeve of mine because number 1, I don’t know where he went. Number 2, I don’t like to be left alone in the forest. What if a bear came? Seriously? Or what if some unsavory characters came by? Or what if he fell and got hurt and I had no idea where he was? Number 3, what if I was ready to leave but couldn’t because I had no idea where he went? I mean really! This is a big issue with us. I always say to him, “Stay in eye contact with me”. He says okay, but then always disappears.

So this year I plan on getting us some two way radios. Then when he disappears, I can call him and find out where he went. Or if one of us gets in trouble we can call for help. Mind you, we aren’t young, anything can happen! Plus I have a wild imagination and it makes my fears bubble up and get the best of me. I’ve had some eye opening stuff happen while I was out plein air painting alone, and won’t go by myself anymore. One time I was alone by the shore of a lake in the tall weeds and turned to grab a roll of paper towel only to find a man standing behind me watching me! I never heard him walk up and thankfully he was a park ranger, but it could have been a bad situation.

Anyway, I fussed and fussed with this painting and finally said “I’ve had it…I’m calling it done!” It’s been sitting in my studio since October waiting for me to “fix it” but I don’t want to work on it anymore. It’s good enough for me.

I’m ready for some new adventures and have cabin fever really bad! I’ve been cleaning the studio and getting my plein air kit ready to go in a moments notice, so when the warmer weather finally arrives, we can hit the road.

So here you go – the fourth in the Fly Fishing series with more to come. What do you think?

~ Rhonda 😊

“Fishing on the St. Joe”

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Email Subscriber Service Changes

Recently I changed email provider services and wanted to let those of you who have previously subscribed know about this change. You don’t need to do anything, as my list was imported to the new service. The next newsletter will be publishing at the end of this month (March), so if you haven’t yet subscribed, you still have time!

If you haven’t yet joined my preferred clients list you can join HERE.  And if you decide to join, your email address will never be sold and will forever remain private! You can unsubscribe any time, but I would hope you don’t! Also, as a new member, you will receive these three (3) FREE downloads!

The first download is this lovely 8″x8″ image of one of my cityscapes:

Moon rise over the city

(The Tamarack Mountain Studio Watermark is not on the print)

The second FREE download is this sweet little 6″x6″ print of one of my favorite paintings:

Hummingbird

(The Tamarack Mountain Studio Watermark is not on the print)

And last but not least, you will receive my Beginners Guide to Oil Painting PDF! It’s packed full of great information and exercises on getting started in your journey to oil painting. And if you ever have any questions, you can always contact me and I will try to help in any way I can. Later this year I will be publishing a bigger E-book that will be for sale in my shop.

You’ll receive your instructions on how to get your downloads, when you  your welcome letter arrives! Thanks for subscribing, and please note emails are only published quarterly, and are filled with private sales, and behind the scenes notes of studio happenings and other goodies!

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Sunset at the Villa

In my last post I shared a 16″x20″ painting I’ve been working on depicting an Italian scene at sunset. I’m now at the final adjustment stages and am very pleased with how this piece is progressing. Just a bit of contrast tweaking, and some other little details and I’ll be able to let this one dry for a long while before giving it a good coat of varnish.

It was painted with a limited palette consisting of only four colors, yellow ocher, cad. red, white and black. I did however add just a touch of cerulean blue to the shutters for a surprise pop of color. One thing that is hard for you to see is that the sun is not as large as depicted. The camera cannot pick up subtle variations in highlights.

(The Tamarack Mountain Studio watermark is not on the painting, but is instead signed with my maiden name.)

Sunset at the Villa

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Snowmaggeden and work in progress

So it’s been snowing – ALOT! We had a very mild beginning of winter from Dec. all through Jan. Then things changed big time! First the polar vortex arrived the first week of Feb. and the temps dropped from the low 40’s to 10 for the day time highs with wind chills below zero. Whaaaat? It was sooo cold!

Then the snow arrived. And it dumped a foot of snow the other night! It’s been snowing constantly on and off for the past week. Here’s a peek at our backyard;

Snow

In the foreground are the table gardens, virtually gone. I did have some lettuce growing in the greenhouse but the polar vortex took care of that idea. No more lettuce. Next year I hope to have some kind of heat in place in the greenhouse.


In the meantime I’ve been doing some work on the painting I started last week.

Work in progress

I can’t decide how I’m going to lay out the foreground so I figured I’d better stop and work out the composition before going further. I imported the photo of the canvas into a digital photo editing app and played around a bit:

Digital art

I’m thinking a path and a vineyard on the right. Maybe on the left a field of sunflowers. Some birds in the distance, a chimney, finish door and windows with a pop of blue on the shutters. Lots of work yet to do. I’ll share more as progress continues.

Stay warm!

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New work in progress~

Here’s a new work in progress I’ve started! It’s a 16″x20″ canvas and it will depict an Italian Villa, cause I love all things Italian!

I’m using a limited palette called the Zorn Palette.  The palette consists of only four colors – Yellow Ochre, Vermillion, Ivory Black and White. I know! It’s been quite interesting not having blue on my palette. So to compensate, this scene is at sunset! That works for me. I’m also using palette knives as much as possible to give nice juicy texture. There will be cypress trees to the right of the house and I’m thinking a vineyard in the foreground. Originally I under-layed the composition with a thin wash of “tube” green just to give me bearings as to where everything should be. You can see in the trees that  I started working on to the left, how nice and true to life mixing your own greens can be, instead of using tube greens.  I’ll be working on this for a while and will keep you posted as I progress!

 

Work in progress

 

 

 

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“Milk Bottle”

“Milk Bottle” is another in my White Things Series and is painted in oil on 6″x6″ panel. This piece was a bit tricky because the bottle is a ceramic surface and not highly reflective. I really had to push the highlights to portray the surface and not have it look stagnant.

“Milk Bottle” pairs great with my “Eggs” oil painting! I like to decorate in the Farm House style even though I live at the lake so I’m often torn as to what to decorate with. My kitchen is farm house style and the rest of the house is lake themed. Is that weird of me?

“Milk Bottle” oil on panel

“Milk Bottle” is framed in black with a silver liner. The watermark is not on the painting.

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“Eggs” oil on panel

During the winter I like to paint still life pieces and “Eggs” oil on panel is one of those. I sketched a few ideas in my sketchbook as to how I thought a composition should be arranged:

I love creating graphite drawings in my sketchbook. Since I used a 6″x6″ panel, I had to work my sketch into a square format. I was happy with the design until I painted it and decided it needed a little more:

“Eggs” oil on panel

I think a little piece of shell with some egg dripping out added a touch of a story to the piece and makes it more interesting. What do you think?

“Eggs” oil on 6″x6″ panel is part of my White Things Series.