This week I worked on a new pastel using my Bearded Iris from my flower garden as my subject. The flower garden is a small patch surrounded by a fence to keep the deer out. It contains three Rose bushes, Iris, Lillies, Hollyhocks and Clematis plus hanging baskets of Petunias. Every so often I’ll plant sunflowers but that’s doesn’t go well cause the squirrels and chipmunks dig up the seeds before the sunflowers can root. I usually have to end up starting sunflowers indoors and planting them outside as a seedling.
Here’s a pic of this heavenly spot where the Iris grow:
Next week the weather is going to take a drastic change and go from the delightful 70’s to the 50’s with temps at night dipping in to the low 30’s. There’s even snow forecasted! The garden will be over with next week, so I figured this would be a good time to paint a new pastel in memory of this year’s abundant beauty. I used a photo reference for this piece because the Iris are long gone for this year.
I have a new pastel tray thanks to my husband, who built it for me. It will be fun filling it up with pastels. Right now it looks like I don’t have any pastels to speak of, but every color I need is there. The shelving has wheels so I can move the pastels close to my easel.
Here’s a pic of the finished piece. The watermark is not on the pastel and is done for online purposes. “Bearded Iris” Pastel is 7” x 9.5”. I’m super pleased with how it turned out.
If you like this new work, hit the “Like” button below. You don’t have to leave a comment, but clicking on the “Like” button let’s me know I have readers out there who enjoy reading my posts. The more readers, the more posts I will create. Otherwise, if I’m talking to myself, then there won’t be any posts.
Thanks for stopping by. Have a super weekend! Go out and enjoy the fall colors! Much Love ~ Rhonda
This new work entitled “Bearded Iris Backside” describes the back of the Iris where two buds were growing out of the stem. Why did I paint the back of the Iris? Well, viewing a flower from all sides is one of my favorite things to do before deciding on a view to paint. There are so many interesting parts to a flower and most times, the back is just as interesting as the front. Hidden behind this flower were two buds that I never saw until I turned the Iris around, upon cutting it in the garden.
The Bearded Iris had grown crooked in my flower garden and wouldn’t stand straight in the vase. So, upon turning the Iris all different directions, I discovered the buds made a more interesting story and I let the Iris be the backdrop to the buds.
The Studio Set up ~
Originally, when I placed the Bearded Iris into my vase, I didn’t add any leaves. The vase is too small to hold the thick stalks of the plant. Further into the painting I decided the composition needed the addition of leaves. You can see how there isn’t a good balance of the elements.
Here is the point when the decision was made to add a single leaf from the Iris patch, which would add flow and balance to the composition. As the last bud was wilting I added a few leaves for reference. The blue tint to the vase is from the addition of water soluble fertilizer. I have discovered flowers last longer with this addition, and that adding an aspirin or some sugar to make flowers last longer is an urban myth.
The painting was done alla prima on an 8”x10” oil primed linen panel, using a tetrad color palette. Because the buds opened so quickly photo references were used to complete the piece. (The original flower set up wilted before the painting was finished.) Here is the finished painting:
This new work, “Bearded Iris Backside” oil painting, will be varnished and framed when it’s dry. Afterwards, the painting will be posted in the gallery under FloralPaintings. I’m super pleased with the results and had a wonderful time painting it.
Please note: the Tamarack Mountain Studio watermark is not on the original painting. The watermark is for online purposes only.
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“In art, intentions have no place; only results. In good art, the results do not have to be explained. As a matter of fact, there is but one kind of art and that is good art. There is no comfortable halfway station; it is either fine, or it is not art.”
John F. Carlson “Carslon’s Guide to Landscape Painting”
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