Introductory Pricing on all oil paintings will end on August 31, 2019. If you would like to purchase a painting at the introductory pricing rates, you still have a few weeks left! After the price change, the only way to purchase at a discount will be if you are a Tamarack Mountain Studio member. You can become a member by clicking HERE. Being a member of Tamarack Mountain Studio grants you insider purchasing power during secret sales and allows you to be entered in the yearend giveaway of one of my miniature paintings.
Creating an oil painting takes many steps and a lot of editing before it is ready for the market. Each layer must be fully dry before a new layer is added, otherwise cracking of the painting can occur. Once a painting is finished, it takes several months to dry before the varnish is added. After the varnish is fully dry, a painting is framed unless it has been painted on a gallery wrapped box canvas. Gallery wrapped box canvas paintings are meant to be displayed without a frame. You can see why the purchase of an oil painting is an investment.
You can shop for my original oil paintings by clicking the Paintings tab in the header. I look forward to having you as one of my many collectors!
My Plein Air oil painting of a White Lily Flower is just about completed. I began this painting a few weeks ago when I decided to paint one of my Lily flowers in Plein air. You can read about the painting experience here. Despite the weather issues I had to endure, I’m very happy with the final outcome of the White Lily Flower oil painting! The painting size is 6″x6″ and was painted on a gesso panel. It may be small in size but the composition and the vibrant colors make an exciting statement.
The painting looks better in person because it is hard to capture light colors with a camera. The yellow hues of the petals are a vibrant lemon color and the cool greens pop against the yellow hues. The orange highlights on the anthers define their volume while the muted purple of the flower’s stigma portrays its shiny surface. Dark jewel tones of Viridian, Cerulean blue and a bit of Burnt Sienna were used in the background, in order to showcase the Lily. One can almost imagine the intoxicating lovely smell of this beautiful flower.
Thank you for stopping by. Until next time, much love! ~ Rhonda
This week I began a painting of one of the White Lily flowers from my flower garden. The weather was cool with the threat of rain, so I thought it would be very nice to sit outside at the picnic table, under the canopy and paint Plein air. As a kid I used to love sitting in the backyard at the patio table with my crayons and coloring books and color during a rainstorm, so this brought back pleasant memories.
I set up all my gear and across the lake I noticed the clouds growing heavy and dark. The wind was starting to blow, but ever so slightly, and I wondered if this was going to be a bad idea. I hesitated a couple of times thinking maybe I should just paint inside, but then decided to go for it anyway. Here’s my subject, a White Lily in a small vase:
I put the flower in a small vase because the stem is very short, which makes it top heavy, but creates a grand presentation. I chose to paint just the flower and not the vase. After setting out my palette and mixing colors I set to work laying in the base colors.
Things were going very well and it started to rain which was so nice. I was really enjoying the painting session even though it was a bit cool, but I’d rather be a little cool than so hot you can’t think! Then the winds arrived. Seriously? I’ll tell you, it hasn’t been the greatest of plein air sessions so far this year!
Twice the wind knocked over my vase, but luckily the flower wasn’t harmed. The tablecloth on the picnic table kept flying up and covering my work area, and I had to rearrange things and batten down the hatches, so to speak, cause I was determined to not let the weather deter my painting time!
This was my set up. I used the “baby” paint box and a 6″x6″ gessoed panel. I’ve taken this box with me several times on recent outings with the hope of getting a painting done, but it hasn’t worked out. I’ve been wanting to try a different technique as an experiment with this gesso panel so that’s how I came to paint this White Lily. My experiment using a different medium worked, and I’m really pleased with the results.
I used a small light to help me see my painting because for some reason, being outside makes it hard to see what I’m painting! It’s the strangest thing. You’d think being outside there’d be plenty of light to see, but it’s actually too much light. It’s as if the painting soaks up all the light, but really it’s just too much glare. Then, if I use an umbrella, it gets too dark. Plus, I was under a canopy and it was cloudy, making the lighting rather muted. This little light was just the right thing to use.
I was able to accomplish my goal of laying in all the base colors before I called it on account of the wind. Now I will let it dry and then go in with highlights and the back ground. Here’s a peek at the Lilies in the flower garden:
See the Bumble Bee on the upper left side of the top flower? I’m wondering if I should put a bee on the petal? What do you think? Let me know your thoughts in the comments below.
I’ll share the finished piece when it’s done. Until then, much love! ~Rhonda
Last month I shared with you some plein air paintings I was working on, that were started while out on a few adventures; one a camping trip and another a day trip riding the trails in our UTV. This first one I recently completed is from our camping trip in May. You can read the post HERE.
I’m loving how this painting turned out, and how it conveys the rich forest greens and the cool greys in the river. This piece is 8″x10″, painted in oils on linen panel.
“Raging Waters of the St. Joe.”
The day was cool and overcast with the threat of thunderstorms, so the lighting was very flat to non-existent, and almost backlit at times. The river was swollen and raging with snow melt, and every once in awhile, birds would fly low over the river looking for a meal. At times the clouds would part and blue sky peeked through, allowing for that wonderful cool blue reflection in the water which I love so much.
I enjoy bringing my paintings to a certain level of refinement and always start in the field and finish in studio, so it takes awhile to bring a piece to completion. The layers must dry between sessions, and this allows me to build up the paint and create lovely textures that capture light. As soon as the piece is dry, it will be varnished, framed and available.
Here is the second painting I recently completed:
“The Lovely Coeur d’Alene River”
This one is also an 8″x10″ oil on linen panel and was begun in the field on a day trip with my husband exploring the back country in our UTV. You can read about that day HERE.
On this day, we again had the threat of rain, and after a BBQ lunch I set out to capture the scene and was almost finished laying in the under painting, when the sky opened up and it began to pour. Rain hit my freshly painted panel as I hurried to pack my gear and I was more than a bit bummed about the situation because I was really enjoying the session. I brought the painting to completion in the studio and was able to paint over the rain streaks, and am happy with the success of this piece. Since I live in the northwest, my subjects contain forests and rivers, and the main colors are green and green! Rarely the river looks blue since it reflects the surrounding forests, and every once in awhile if one stands in the right spot and it is a cloudless day, you can see the beautiful cerulean blue of the sky, reflecting in the water. I just love that blue and have to make it a signature color in my pieces.
These two paintings are now sitting side by side in my studio, drying, and look very much like a set. They will look fabulous displayed together on the studio gallery wall, and when ready, will be available for purchase.
Next post, I will share my latest plein air work in progress!
If you would like to receive my quarterly newsletter filled with super secret sales and be entered into my year end giveaway, click HERE to become a TMS member!
Decorating with Fine Art adds a level of sophistication to your space, whether it be in your home or office. One of a kind, original paintings as part of your decor, says something about who you are. Are you playful, romantic, high energy or calm in demeanor? Art can help express these qualities and enhance your life. If you are the playful kind, you might enjoy abstract, colorful fine art. If you are romantic, then perhaps floral genres, make you happy. If high energy is your style, then landscapes are for you. And the calm of spirit would enjoy still life paintings.
Whether you purchase a piece that is grand in size to display on a focal wall or a small piece to add as part of an overall collection, you can create an interesting design that commands attention. Here are a few examples of good ways to use Fine Art as part of your interior decor ~
The above three mini paintings sold to my collector, can be seen on her wall as part of the overall design. They add a pop of color to the neutral tones of the collection, leading the eye around and through the other pieces. Her clever placement of the beach scene at the bottom of the wall provides a final landing space in which to gaze upon.
Small works of art can easily be changed from room to room or with the seasons. Large installations are rather permanent and can become stagnant after time. This is why I love painting in smaller sizes, to give you the benefit of creating collections that can be part of a larger statement.
Here are some ideas for decorating a baby’s room with fine art. All four pieces, are my original 16″x16″ oil paintings:
This collector installed a wooden letter L on the abstract painting, representing the family’s last name.
The Teddy Bear painting is my favorite! And the playful whale is super cute!
And as a final example, if you are a pet lover, then you too can enjoy a collection of pet themed fine art! The possibilities are endless.
This collector placed her cat collection on the wall above the staircase, making an eye catching focal point. She used her small works of art to make a pleasing composition as an overall statement, combining prints, photographs and two of my oil paintings, (of her cat that passed.)
I hope this post has given you some great ideas for personalizing your space with Fine Art and making a statement with your art collection. Perhaps you will find something in my gallery that will delight and inspire you to grow your collection.
(As a side note, the Tamarack Mountain Studio watermark is not on the original paintings. This is done for online purposes only.)
If you like my work and would like to be notified of super secret sales, and personal behind the scenes stories, you can join the Tamarack Mountain Studio community and receive quarterly updates, and weekly blog updates by clicking HERE. As a member you will be entered into the year end giveaway of an original small works oil painting! You can unsubscribe at any time!
“Sunset on the Villa” is officially done! I’m so happy to be moving on to other subjects. This is the very reason I enjoy painting small; large paintings take too long. The piece is 16″x20″ and was painted in oils with a limited Palette. Here’s a peek at my palette:
I recently decided to check out what Pantone’s Color of the year for 2019 is and was surprised to find out it is Living Coral! And look what colors are on my palette – corals!
I often paint intuitively with respect to colors and this happened to me last year as well with the Pantone Color which was Violet. I painted a lot of purple flowers last year and didn’t know what the Color of the Year was until late fall. Maybe I’m just in tune with my surroundings? So now I’m hyper sensitive to oranges. I’m seeing this color everywhere especially in Hallmark movies made this year! Even orange trucks are making their debut!
Anyway, Orange isn’t on the top of my list for favorite colors so don’t ask me why I chose to use this color palette on “Sunset on the Villa”. But I’m pleased with the end result.
I imagine the owner has had a hard day at picking grapes and worked until sunset. One box of grapes was forgotten by the road. Now it’s time for dinner as a warm cozy fire begins to crackle. What’s for dinner? Perhaps spaghetti and meatballs with a nice glass of wine. My fave!
(The Tamarack Mountain Studio watermark is not on the painting. This is done for online purposes only).
Next up I’ll be doing some paintings of grapes and wine genres as a continuation of this Italian theme.
“Fishing on the St. Joe” is an 8″x10″ oil on panel that I painted last fall while on a camping trip with my husband. I started it on location by laying in all my values, then finished in studio. It was a cold and windy day in late September when I painted it and so didn’t get as far as I wanted to because I was freezing! I’m a light weight when it comes to extremes of temperature.
Anyway, I use my husband as a model but he tends to not stay in one place long enough for me to really capture him. I always have to use my reference photos to finish.
I sat in our UTV to paint this scene, to try and stay out of the cold wind and when I looked up from my work, he was gone!
Now this is a huge pet peeve of mine because number 1, I don’t know where he went. Number 2, I don’t like to be left alone in the forest. What if a bear came? Seriously? Or what if some unsavory characters came by? Or what if he fell and got hurt and I had no idea where he was? Number 3, what if I was ready to leave but couldn’t because I had no idea where he went? I mean really! This is a big issue with us. I always say to him, “Stay in eye contact with me”. He says okay, but then always disappears.
So this year I plan on getting us some two way radios. Then when he disappears, I can call him and find out where he went. Or if one of us gets in trouble we can call for help. Mind you, we aren’t young, anything can happen! Plus I have a wild imagination and it makes my fears bubble up and get the best of me. I’ve had some eye opening stuff happen while I was out plein air painting alone, and won’t go by myself anymore. One time I was alone by the shore of a lake in the tall weeds and turned to grab a roll of paper towel only to find a man standing behind me watching me! I never heard him walk up and thankfully he was a park ranger, but it could have been a bad situation.
Anyway, I fussed and fussed with this painting and finally said “I’ve had it…I’m calling it done!” It’s been sitting in my studio since October waiting for me to “fix it” but I don’t want to work on it anymore. It’s good enough for me.
I’m ready for some new adventures and have cabin fever really bad! I’ve been cleaning the studio and getting my plein air kit ready to go in a moments notice, so when the warmer weather finally arrives, we can hit the road.
So here you go – the fourth in the Fly Fishing series with more to come. What do you think?
“In art, intentions have no place; only results. In good art, the results do not have to be explained. As a matter of fact, there is but one kind of art and that is good art. There is no comfortable halfway station; it is either fine, or it is not art.”
John F. Carlson “Carslon’s Guide to Landscape Painting”
Oil Painting Categories
I do not use ads on my site, so you may browse without annoying interruptions. You can help the bottom line with a small donation to keep this site ad free! Simply buy me a cuppa so I can continue to bring you new content!