Introductory Pricing on all oil paintings will end on August 31, 2019. If you would like to purchase a painting at the introductory pricing rates, you still have a few weeks left! After the price change, the only way to purchase at a discount will be if you are a Tamarack Mountain Studio member. You can become a member by clicking HERE. Being a member of Tamarack Mountain Studio grants you insider purchasing power during secret sales and allows you to be entered in the yearend giveaway of one of my miniature paintings.
Creating an oil painting takes many steps and a lot of editing before it is ready for the market. Each layer must be fully dry before a new layer is added, otherwise cracking of the painting can occur. Once a painting is finished, it takes several months to dry before the varnish is added. After the varnish is fully dry, a painting is framed unless it has been painted on a gallery wrapped box canvas. Gallery wrapped box canvas paintings are meant to be displayed without a frame. You can see why the purchase of an oil painting is an investment.
You can shop for my original oil paintings by clicking the Paintings tab in the header. I look forward to having you as one of my many collectors!
My Plein Air oil painting of a White Lily Flower is just about completed. I began this painting a few weeks ago when I decided to paint one of my Lily flowers in Plein air. You can read about the painting experience here. Despite the weather issues I had to endure, I’m very happy with the final outcome of the White Lily Flower oil painting! The painting size is 6″x6″ and was painted on a gesso panel. It may be small in size but the composition and the vibrant colors make an exciting statement.
The painting looks better in person because it is hard to capture light colors with a camera. The yellow hues of the petals are a vibrant lemon color and the cool greens pop against the yellow hues. The orange highlights on the anthers define their volume while the muted purple of the flower’s stigma portrays its shiny surface. Dark jewel tones of Viridian, Cerulean blue and a bit of Burnt Sienna were used in the background, in order to showcase the Lily. One can almost imagine the intoxicating lovely smell of this beautiful flower.
Thank you for stopping by. Until next time, much love! ~ Rhonda
This week I began a painting of one of the White Lily flowers from my flower garden. The weather was cool with the threat of rain, so I thought it would be very nice to sit outside at the picnic table, under the canopy and paint Plein air. As a kid I used to love sitting in the backyard at the patio table with my crayons and coloring books and color during a rainstorm, so this brought back pleasant memories.
I set up all my gear and across the lake I noticed the clouds growing heavy and dark. The wind was starting to blow, but ever so slightly, and I wondered if this was going to be a bad idea. I hesitated a couple of times thinking maybe I should just paint inside, but then decided to go for it anyway. Here’s my subject, a White Lily in a small vase:
I put the flower in a small vase because the stem is very short, which makes it top heavy, but creates a grand presentation. I chose to paint just the flower and not the vase. After setting out my palette and mixing colors I set to work laying in the base colors.
Things were going very well and it started to rain which was so nice. I was really enjoying the painting session even though it was a bit cool, but I’d rather be a little cool than so hot you can’t think! Then the winds arrived. Seriously? I’ll tell you, it hasn’t been the greatest of plein air sessions so far this year!
Twice the wind knocked over my vase, but luckily the flower wasn’t harmed. The tablecloth on the picnic table kept flying up and covering my work area, and I had to rearrange things and batten down the hatches, so to speak, cause I was determined to not let the weather deter my painting time!
This was my set up. I used the “baby” paint box and a 6″x6″ gessoed panel. I’ve taken this box with me several times on recent outings with the hope of getting a painting done, but it hasn’t worked out. I’ve been wanting to try a different technique as an experiment with this gesso panel so that’s how I came to paint this White Lily. My experiment using a different medium worked, and I’m really pleased with the results.
I used a small light to help me see my painting because for some reason, being outside makes it hard to see what I’m painting! It’s the strangest thing. You’d think being outside there’d be plenty of light to see, but it’s actually too much light. It’s as if the painting soaks up all the light, but really it’s just too much glare. Then, if I use an umbrella, it gets too dark. Plus, I was under a canopy and it was cloudy, making the lighting rather muted. This little light was just the right thing to use.
I was able to accomplish my goal of laying in all the base colors before I called it on account of the wind. Now I will let it dry and then go in with highlights and the back ground. Here’s a peek at the Lilies in the flower garden:
See the Bumble Bee on the upper left side of the top flower? I’m wondering if I should put a bee on the petal? What do you think? Let me know your thoughts in the comments below.
I’ll share the finished piece when it’s done. Until then, much love! ~Rhonda
“In art, intentions have no place; only results. In good art, the results do not have to be explained. As a matter of fact, there is but one kind of art and that is good art. There is no comfortable halfway station; it is either fine, or it is not art.”
John F. Carlson “Carslon’s Guide to Landscape Painting”
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